Lukas Pauer is a licensed architect, urbanist, educator, and the Founding Director of the Vertical Geopolitics Lab. Currently engaged as Tutor in Landscape Architecture at the University of Edinburgh and Co-Founding Associate Editor at Harvard University’s Very Vary Veri Journal, Lukas pursues a practice-led studio-based PhD AD at the Architectural Association with P. V. Aureli. He holds an MAUD from Harvard University, and an MSc Arch from ETH Zürich. Besides numerous international recognitions, Lukas has been selected as Global Shaper by the World Economic Forum – a leadership program committed to change-making impact within local communities.
In the industry, Lukas is a member of the Swiss professional association of architects and has extensive technical experience in construction at globally renowned practices such as Herzog & de Meuron Architekten. In the academy, Lukas has devised, coordinated, conducted, and assessed courses incl. thesis supervision and examination at leading institutions such as Victoria University of Wellington. He has spoken publicly at institutions such as the World Bank, published in periodicals incl. the UCLA Planning Journal, and curated and convened public programs at venues incl. the Biennale Architettura di Venezia.
The research investigates an architecture of seemingly minor or banal objects with nevertheless enormous territorial implications: markers, outposts, stations, and centers of sovereignty. While scholarly discourse predominantly focuses on the conceptual means envisioned to frame territorial sovereignty, the actual material means implemented and executed as often primitive but specific devices on the ground have rarely been subject to theorizing in a historical genealogy: ancient megalithic pillars and sanctuaries, medieval factories and missions, modern telegraphs and lighthouses, and contemporary co-located data centers.
In its hypothesis, the research claims the possibility of defining sovereignty as a material condition becoming apparent through human-made spatial facts on the ground at various scales and technologies. Based on this working hypothesis, the research postulates a co-presence and dialectic between material form and wider immaterial forces. The research claims the possibility of identifying a paradigm shift in the facticity and rationale of this material condition; from a more belief-based figurative semiotics to a more fact-based literal logistics of territorial markers.
In its larger aim, the research seeks to interrogate the ability of architectural design practice to construct sovereignty in contested conditions where stable and extensive means of demarcation are challenged, as a materially rather than merely intangibly staged process. A case study review and object survey shall identify historical design techniques in their specific temporal, regional, and cultural context to establish typological continuity and similarity rather than difference. Drawing and design studies shall validate the research hypothesis and test its applicability by forecasting applicable design techniques for new understandings in architectural design practice. As such, the project formulates a series of applicable design techniques as individual design interventions, which shall collectively form a kit-of-tools.
Blanco, Vistas de los Monumentos a lo Largo de la Línea Divisoria entre México y los Estados Unidos de El Paso al Pacífico (1901)